Legend has it that Leroux gave a deathbed confession in 1927, claiming that what he had written 17 years earlier was absolutely true. There may be more nonfiction mixed in with Leroux's story. But in 1896, a counterweight from the massive chandelier did fall, killing one person. As far as we know, no one has ever deliberately sabotaged the seven-ton bronze and crystal fixture. And its use is actually quite practical-it’s where local firefighters train for underwater rescue missions. Due to modern day health and safety codes, the area is now brightly lit. The tank is a far cry from the eerily romantic, candle-lit haven in Phantom. Instead, they built a huge stone water tank to house the displaced water.
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In 2010, Pierre Vidal, curator of the opera house’s museum and library, told The Telegraph that workers eventually gave up trying to pump the site dry. In the end, they simply worked around it.
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After ground was broken for the opera house in 1861, workers and engineers were stumped by the water that continuously bubbled up from the ground they were trying to clear. Though there’s no island in the middle for an opera house ghoul to inhabit, there is a fairly large body of water underneath the Palais Garnier. That includes some of the more fantastical moments, from the chandelier to the underground lake. Though such a scene may seem improbable, author Gaston Leroux took inspiration from the Paris Opera House, the Palais Garnier, for his 1910 novel The Phantom of the Opera. I felt: "Wow, this is affecting people like it affected me.Whether you prefer the 1925 movie featuring Lon Chaney, the original Broadway production, or the 2004 Gerard Butler remake, there’s no question that the chandelier crash scene is one of the most iconic moments in The Phantom of the Opera. I kept that totally to myself, but then I got two letters from fans mentioning certain mannerisms of my Phantom, saying they really connected with him and that they had Asperger's. When I first played the Phantom I decided to make him young, and studied Asperger's syndrome as a slight back-story because I saw some documentaries on unexplained geniuses and Asperger's came up. There are the obsessives and the scary ones. We see the audience giving us standing ovations each night seeing that reaction after every performance is thrilling. The only thing I know is what I see on stage. The show has received some negative feedback online from people who have seen previews. But without Christine, he's not happy – her voice is key to his music. He's accepted there, so he changes a lot and becomes Coney Island's mastermind.
#PHANTOM OF THE OPERA MOVIE YOUTUBE FULL#
It's a very attractive place for him, full of funfairs and freak shows, where people lose their inhibitions. After being hunted for murder, the Phantom has fled Paris for Coney Island, New York. It's a great story with a lavish set and costumes which are almost Tim Burton-esque. That teacher found me an agent and five years later I was the Phantom.
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I was working in a factory making the inside of hand dryers, thinking: "How am I going to get to the West End from here?" I went to the message board in Pineapple Dance Studios, closed my eyes and took the number of a singing teacher that my finger landed on. One day I saw an audition for a cruise and started singing on that. I read as many books as I could on acting. Yes, but I never trained – I couldn't afford singing lessons back then. I said to friends: "I want to be the Phantom." I was handed a mic and had to say: "I'm the Phantom of the Opera." I was thinking: "Don't cry, because the boys are here." A seed was planted. Before the show I was asked to volunteer on stage. I was about 12 years old on a school trip in Toronto and hated the idea of seeing an opera. When did you first see The Phantom of the Opera? Here the Iranian-born Canadian actor describes how it happened. After several years playing the title role in The Phantom of the Opera in the West End, 31-year-old Ramin Karimloo returns as the Phantom in Andrew Lloyd Webber's sequel, Love Never Dies, which opens at the Adelphi theatre, London, on Tuesday.